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General Bibliography

                                                                                             Patricia Dorval

 

Here is a selective bibliography on Shakespeare in French films. Specific articles on the Shakespeare on Screen in Francophonia site contain more detailed bibliographic references.

 

• AMIEL, Vincent. "Shakespeare et le début de la télévision française." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/amiel_2013/.

• AMY DE LA BRETEQUE. "Shakespeare chez les penseurs du cinéma français des années 1920." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/amy_de_la_breteque_2021/.
  

• —. "Carné, Shakespeare, Cocteau -- Des traces du Songe d’une nuit d’été dans Juliette ou la clef des songes (1950): une hypothèse d’intertextualité aléatoire." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 3. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2014. Online: http://www.shakscreen.org/analysis/carne_shakspeare_cocteau/.

• —. "Shakespeare dans le cinéma français des premiers temps." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/amy_de_la_breteque_2012/.

• BARDELMANN, Claire. "Compte rendu de la mise en scène de Christian Schiaretti." In Agnès Lafont (ed). Coriolan de William Shakespeare. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2007.

• BASTOS, Mário Vitor. "Shakespeare, Chabrol, and Cinema in the early 1960s: Asymmetric parallels."  In Melissa Croteau (ed.). Dir. Patricia Dorval & Nathalie Vienne-Guerrin. Shakespeare on Screen in Francophonia: The Shakscreen Collection 4. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2016. Online: http://www.shakscreen.org/analysis/shakspeare_chabrol/.

• BLAKEWAY, Claire. "Les Enfants du paradis." Blakeway, Claire. Jacques Prévert: Popular French Theatre and Cinema. Teaneck, NJ: Fairleigh Dickinson University Press, 1990.

• BURT, Richard. "Jacques Rivette and Film Adaptation as 'Dérive-ation': Pericles in Paris Belongs to Us and The Revenger's Tragedy in Noiroit." The English Renaissance in Popular Culture: An Age for All Time. Ed. Greg Colón Semenza. New York: Palgrave Macmillan, 2010. 167-186.

• —. "Mobilizing Foreign Shakespeare in Media." In Alex C. Y. Huang and Charles S. Ross (eds). Shakespeare in Hollywood, Asia, and Cyberspace. West Lafayette: Purdue University Press, 2009. 231-238. Print.

• CALBI, Maurizio. "Exilic/Idyllic Shakespeare: Reiterating Pericles in Jacques Rivette's Paris nous appartient." SEDERI 25 (2015): 11-30. Online: http://sederi.org/docs/yearbooks/25/24_01.pdf.

• CARTELLI, Thomas & Katherine Rowe. New Wave Shakespeare on Screen. Cambridge, UK: Polity, 2007. Print.

• CAVELL, Stanley. "Shakespeare and Rohmer: Two Tales of Winter." Cities of Words: Pedagogical Letters on a Register of the Moral Life. Cambridge, MA: Harvard University Press, 2004. 421-443. Print.

• COUSSEMENT, Laetitia. "Richard III de Raoul Ruiz : Entre difformités et déformations." In Shakespeare et le cinéma français. Ed. Patricia Dorval. Paris: Société Française Shakespeare, 1998. 77-90. Print. Also available online: https://journals.openedition.org/shakespeare/210.

• CROTEAU, Melissa. "'I am not what I am': Othello and Role-playing in Les Enfants du Paradis." In Melissa Croteau (ed.). Dir. Patricia Dorval & Nathalie Vienne-Guerrin. Shakespeare on Screen in Francophonia: The Shakscreen Collection 4. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2016. Online: http://www.shakscreen.org/analysis/othello_role-playing_carne/.

• CROUAU, Nathalie. "Searching for the Lubitsch Touch: Hazanavicius Puts a Twist on Shakespeare in OSS 117: Lost in Rio (2009) and The Artist (2011)." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 3. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2014. Online: http://www.shakscreen.org/analysis/hazanavicius/.

• —. "'Union in partition': A Midsummer Night's Dream in L'Appartement by Gilles Mimouni (1996)." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/analysis/analysis_appartement/.

• —. "Theseus and Dedalus: Shadows of A Midsummer Night's Dream in A Christmas Tale (Arnaud Desplechin)."  In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2011. Online: http://shakscreen.org/analysis/analysis_christmas_tale_2011/.

• DAKE, Chris. "Review of Les Enfants du paradis." Sight and Sound 3.9 (1993): 55-56. Print.

• DELORD, Frédéric. "When Shakespeare Met Romantic Comedies..." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/delord_2021/.

• —. "'Mon vieux cerveau est troublé' (La Tempête, IV.1.159): Je rentre à la maison ― De la différance à l'incongru."  In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://www.shakscreen.org/analysis/analysis_je_rentre/.

• "André Téchiné's 'Shakespearean Trilogy'." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: Hamlet. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2011. 277-290. Print. Also avaiilable in  Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/analysis_shakespearean_trilogy/.

• —. "Auditioning for Shakespeare: Twelfth Night in Michael Haneke's Code Unknown."  In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/analysis_code_unknown/.

• —. "In Praise of Amateurism: Summer Strolls (René Féret, 1992) and Julie est amoureuse (Vincent Dietschy, 1998)." Forthcoming.

• DEREGNONCOURT, Marine. "La Captation filmique par Pathé Live de Roméo et Juliette de William Shakespeare dans une mise en scène d'Éric Ruf à la Comédie-Française (2015-2016)." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/deregnoncourt_2021/.

• DORVAL, Patricia. "Macbeth et Le Rideau rouge d'André Barsacq (1952): Mise en Abyme and Specular Effects." Forthcoming.

• —. "Macbeth in André Barsacq’s 1952 Crimson Curtain: Mise en Abyme and Transgression of the Metadramatic Threshold." In Melissa Croteau (ed.). Dir. Patricia Dorval & Nathalie Vienne-Guerrin. Shakespeare on Screen in Francophonia: The Shakscreen Collection 4. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2016. Online: http://www.shakscreen.org/analysis/crimson_curtain_transgression_threshold/.

• —. "Macbeth et Le Rideau rouge d'André Barsacq : des figures d'enchâssement à la mise en abyme."  In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 3. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2014. Online: http://www.shakscreen.org/analysis/rideau_rouge_figures_enchassement/.

• —. "Macbeth in André Barsacq's Le Rideau rouge: Mise en Abyme and Acoustic Porousness." In Sarah Hatchuel, Nathalie Vienne-Guerrin & Victoria Bladen (eds). Shakespeare on Screen: Macbeth. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2013. 379-96. Print.

• —. "Macbeth et Le Rideau rouge d'André Barsacq : phénomènes de porosité sonore." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://www.shakscreen.org/analysis/rideau_rouge_porosite_sonore/.

• FRENCH, Patrick. "Play Space, Plot Structure: Theatricality and Conspiracy in the Films of Jacques Rivette." Australian Journal of French Studies 47.2 (2010): 160-170. Print.

• GANIM, Russell. "Prévert Reads Shakespeare: Lacenaire as Iago in Les Enfants du paradis." Comparative Literature Studies 38.1 (2001): 46-67. Print.

• GINESTET, Gaëlle. "Grafting The Tempest onto Allégret's Le Bal du Comte d'Orgel." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: The Tempest and Late Romances. Cambridge, UK: Cambridge University Press, 2017. 269-282. Print.

• —. "Une femme douce by Robert Bresson: Hamlet or Anti-Cinematography." In Sarah Hatchuel and Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: Hamlet. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2011. 291-307. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/analysis_anticinematography/.

• GUNERATNE, Anthony R. "A Certain Tendency in Post-New Wave French Shakespearean Cinema: from early Truffaut to late Godard via Orson Welles." In Melissa Croteau (ed.). Dir. Patricia Dorval & Nathalie Vienne-Guerrin. Shakespeare on Screen in Francophonia: The Shakscreen Collection 4. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2016. Online: http://shakscreen.org/post-new_wave_french_cinema/.

• —. "Four Funerals and a Bedding: Freud and the Post-apocalyptic Apocalypse of Jean-Luc Godard's King Lear." In Melissa Croteau and Carolyn Jess-Cooke (eds). Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations. Jefferson, NC: McFarland & Company, Inc., 2009. 197-215. Print.

• —. Shakespeare, Film Studies, and the Visual Cultures of Modernity. New York: Palgrave Macmillan, 2008. Print.

• HATCHUEL, Sarah & Nathalie Vienne-Guerrin. "‘O monstrous:’ Claude Barma’s French 1962 TV Othello." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 3. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2014. Online: http://www.shakscreen.org/analysis/barma_othello/.

• —. "Le Macbeth de Claude Barma (1959): Shakespeare et l'expérience hybride de la 'dramatique'." In Sarah Hatchuel, Nathalie Vienne-Guerrin & Victoria Bladen (eds). Shakespeare on Screen: Macbeth. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2013. 397-409. Print. Also available in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/analysis/analysis_macbeth_barma/.

• —. "Remembrance of Things Past: Shakespeare's Comedies on French Television." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Television Shakespeare: Essays in Honour of Michèle Willems. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2008. 171-197. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/hatchuel_vienne_2008/.

• —. "'I've been killed, but I'm not dead': Remains of Hamlet in the French Telefilm L'Embrumé (1980)." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: Hamlet. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2011. 257-276. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/analysis_i_have_been_killed/.

• HOLLAND, Norman N. "Marcel Carné, Les Enfants du Paradis, 1945." n.d. A Sharper Focus: Essays on Film by Norman Holland. Web. <http://www.asharperfocus.com/Enfants-main.html>.

• HUANG, Alexa. "Digital Shakespeare." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/huang_2012/.

• JEANCOLAS, Jean-Pierre. "Beneath the Despair, the Show Goes On: Marcel Carné's Les Enfants du paradis." In Susan Hayward and Ginette Vincendeau (eds). French Film: Texts and Contexts. London: Routledge, 2000. Print.

• KLIMAN, Bernice W. "Chabrol's Ophélia: Mirror for Hamlet." Shakespeare on Film Newsletter 3 (1978). Print.
  

• LAJUS, Sybille. "Les Amants de Vérone: du théâtre à la théâtralité." CinémAction 98 (2001): 120-125. Print.

• LANIER, Douglas. "Love in the Ruins: Les Amants de Vérone and “Authentic” Shakespeare Adaptation." In Melissa Croteau (ed.). Dir. Patricia Dorval & Nathalie Vienne-Guerrin. Shakespeare on Screen in Francophonia: The Shakscreen Collection 4. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2016. Online: http://www.shakscreen.org/analysis/love_in_ruins/.

• —. "L'Homme blanc et l'homme noir: Les Enfants du paradis and Othello." In Eric Brown and Estelle Rivier (eds). Shakespeare in Performance. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/analysis/analysis_homme_blanc/.

• —. "Nouveau Noir: Claude Chabrol's Ophélia, Shakespeare's Hamlet, and the Nouvelle Vague." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: Hamlet. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2011. 235-255. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/lanier_2012/.

• LANZONI FOURNIER, Rémi. French Cinema: From its Beginnings to the Present. New York: Continuum, 2002. Print.

• LASTER, Arnaud. "À propos des Amants de Vérone de Jacques Prévert et André Cayatte." In Frank Wilhelm (ed.). Le Théâtre dans le théâtre, le cinéma au cinéma. Manage, Belgique: Éditions Lansman, 1998. 185-194. Print.

• McCANN, Ben. "Les Enfants du Paradis/Children of Paradise." In Phil Powrie (ed.). The Cinema of France. London: Wallflower Press, 2006. 51-59. Print.

• MONACO, James. The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. Oxford, UK: Oxford University Press, 1976. Print.

• NEWMAN, Karen. "Ghostwriting: Hamlet and Claude Chabrol’s Ophélia." in Essaying Shakespeare. Minneapolis: University of Minnesota Press, 2009. 77-84. Previously published in Peter Baker, Sarah Webster Goodwin, and Gary Handwerk (eds). The Scope of  Words New York: Peter Lang, 1991. 161-78. Print.

• OLCESE, Rodolphe. "Le monde devant ses possibles: Who Chooseth Me de Pierre Moignard." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/olcese_2021/.

• PY, Barthélémy. "The Winter’s Tale de Shakespeare et Conte d'hiver de Rohmer (1992): vers une commune destinée des sentiments humains." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://www.shakscreen.org/analysis/analysis_conte_hiver_rohmer/.

• ROTHWELL, Kenneth S. A History of Shakespeare on Screen. Cambridge, UK: Cambridge University Press, 1999. Print.

• TIBBETS, John C. "Backstage with the Bard: or, Building a Better Mousetrap." Literature/Film Quaterly 29.2 (2001): 147-164. Print.

• TURK, Edward Baron. Child of Paradise: Marcel Carné and the Golden Age of French Cinema. Cambridge, MA: Harvard University Press, 1989. Print.

• VALLS-RUSSELL, Janice. "Abdellatif Kechiche's Vénus noire (2010): Pygmalion, Ophelia, and the Voyeur." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/valls-russell_2021/.
  

• —. "Harry Cleven’s Les Héritières (2008): King Lear in prime-time Corsica." Shakespeare on Screen: King Lear. Ed. Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge: Cambridge University Press: 2019. Online:<https://www.cambridge.org/files/4115/6086/0418/Shakespeare_on_screen_Les_Heritieres_Valls_Russell.pdf>.

• VIENNE-GUERRIN, Nathalie. "Colour and Horror: Claude Barma's 1973 Romeo and Juliet." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/vienne-guerrin_2021/.

• ――― & Sarah Hatchuel. "‘O monstrous:’ Claude Barma’s French 1962 TV Othello." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 3. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2014. Online: http://www.shakscreen.org/analysis/barma_othello/.

• ―――. "Le Macbeth de Claude Barma (1959): Shakespeare et l'expérience hybride de la 'dramatique'." In Sarah Hatchuel, Nathalie Vienne-Guerrin & Victoria Bladen (eds). Shakespeare on Screen: Macbeth. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2013. 397-409. Print. Also available in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/analysis/analysis_macbeth_barma/.

• ―――. "Remembrance of Things Past: Shakespeare's Comedies on French Television." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Television Shakespeare: Essays in Honour of Michèle Willems. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2008. 171-197. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 2. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2013. Online: http://shakscreen.org/hatchuel_vienne_2008/.

• ―――. "'I’ve been killed, but I’m not dead': Remains of Hamlet in the French telefilm L'Embrumé (1980)." In Sarah Hatchuel & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen: Hamlet. Mont-Saint-Aignan: Presses des Universités de Rouen et du Havre, 2011. 257-276. Print. Also avaiilable in Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 1. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2012. Online: http://shakscreen.org/analysis/analysis_i_have_been_killed/.

• VIVIER, Jean. "Le Hamlet « live » de Claude Barma (1960) : Première pièce de théâtre en plein air diffusée en direct à la télévision française." In Patricia Dorval & Nathalie Vienne-Guerrin (eds). Shakespeare on Screen in Francophonia: The Shakscreen Collection 5. Montpellier (France): IRCL, Université Paul-Valéry/Montpellier 3, 2021. Online: http://shakscreen.org/analysis/vivier_2021/.
  

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